La dance culture, une mondialisation réussie (notice n° 667251)
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|---|---|
| fixed length control field | 02688cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121194516.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Augrand, Alexandre |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La dance culture, une mondialisation réussie |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 7 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Au cours de la seconde moitié du xxe siècle voient le jour plusieurs mouvements musicaux et festifs (sound-systems jamaïcains, hip-hop, disco, house et techno) qui sont englobés sous le terme de « dance culture ». Toutes ces scènes apparus localement dans des villes, voire des quartiers, sont le résultat d’un ensemble de transferts culturels – déplacements humains, des réappropriations, des expérimentations musicales, des accidents mais également des élans de contestations sociales et politiques – qui vont inspirer des communautés, des DJs et des producteurs expérimentateurs. Ces mouvements connaissent chacun leur tour, et de manière différente, des phénomènes de mondialisation entre les années 1970 et 1980 amenant l’émergence de nouvelles scènes musicales dans de nombreux pays qui, chacun, se développent selon leurs propres revendications sociopolitiques et identités culturelles. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Many new festive, musical forms appeared in the second half of the twentieth century, such as Jamaican sound system, hip hop, disco, rap, house, and techno, a spectrum that is referred to as “dance culture.” All of these scenes emerged in urban neighborhoods. They are the result of a series of cultural transfers that include human displacement, re-appropriation, musical experimentation, and happy accidents, as well as the rise of social and political protest movements ; all of these inspired communities, DJs and inventive producers. Each of them had its own, specific encounter with the phenomena of globalization in the 1970s and 1980s, which gave rise to other new music scenes in many different countries. Each of these would then develop in relation to its own sociopolitical aspirations and cultural identities. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mondialisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | techno |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transferts culturels |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hip-hop |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sound systems |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | disco |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dance culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | house |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | techno |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | globalization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hip-hop |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sound systems |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | disco |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dance culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cultural transfer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | house |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | 86 | 1 | 2020-07-21 | p. 249-256 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-hermes-la-revue-2020-1-page-249?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-hermes-la-revue-2020-1-page-249?lang=fr&redirect-ssocas=7080</a> |
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