Être une compositrice japonaise en France aujourd’hui, entre tradition et mondialisation (notice n° 667258)
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| fixed length control field | 01825cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121194517.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lethurgez, Florence |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Être une compositrice japonaise en France aujourd’hui, entre tradition et mondialisation |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 4 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La musique contemporaine s’implémente, en contexte de mondialisation, dans des territoires qu’elle recompose selon les frontières et les caractéristiques de son ordre propre. Nous en observons les dynamiques socio-communicationnelles auprès d’un noyau de compositrices japonaises étudiant et vivant en France. Quelles circonstances favorisent-elles ou non les syncrétismes entre musique traditionnelle japonaise et musique moderne universelle ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the context of globalization, contemporary music recomposes the territories in which it is deployed in accordance with the boundaries and characteristics of its own order. This article explores the social and communicational dynamics of this process for a group of young Japanese women composers who are living and studying in France. It seeks to identify the situations that advance or inhibit various forms of “syncretism” between traditional Japanese music and universal modern music. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | compositrice japonaise |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | catégories autogéographiques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mondialité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dynamiques socio-communicationnelles |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | auto-geographical categories |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Japanese women composers |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | globalization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | socio-communication dynamics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Hermès, La Revue | 86 | 1 | 2020-07-21 | p. 231-236 | 0767-9513 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-hermes-la-revue-2020-1-page-231?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-hermes-la-revue-2020-1-page-231?lang=fr&redirect-ssocas=7080</a> |
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