The people in the aftermath of anger (notice n° 674984)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01866cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121201216.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Renard, Margot |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The people in the aftermath of anger |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 98 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | When history painter Delaroche depicted Les Vainqueurs de la Bastille between 1830 and 1838, he had not taken any interest as yet in the French Revolution of 1789. He tackled the topic – the insurrection of part of the Parisian people against the royal prison, a symbol of feudal oppression – in the context of a commission of four works for the town hall of Paris, meant to honour the historical role of the people. In 1830, when another revolution happened, that of the Trois Glorieuses, the event was still so acute in the collective memory and the historians were just about beginning to tackle it as a major historical fact in the history of France. Paul Delaroche’s view on the fall of the Ancien Régime, as a nineteenth-century and romantic artist, is thus interesting for its political resonance, its artistic position – representing the people once the anger has subsided – and for his role in the shaping of a collective imaginary of the Revolution in the nineteenth century. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | history painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | French Revolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nineteenth-century |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | institutions |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | history of representations |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | history painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | French Revolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nineteenth-century |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | institutions |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | history of representations |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Noûs, Camille |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Dix-huitième siècle | o 53 | 1 | 2021-06-28 | p. 161-176 | 0070-6760 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-dix-huitieme-siecle-2021-1-page-161?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-huitieme-siecle-2021-1-page-161?lang=en&redirect-ssocas=7080</a> |
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