L'espace infini, du point de vue du sublime (notice n° 676142)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02346cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121201602.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ventura, Élisabeth |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'espace infini, du point de vue du sublime |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2013.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 97 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Malgré l’omniprésence de la télévision et du cinéma, les spectateurs continuent d’aller au théâtre, comme si la transmission du verbe poétique par un médium vivant, le comédien, répondait à une nécessité latente : pourquoi va-t-on dans une salle de théâtre, s’asseoir auprès d’inconnus, regarder devant soi un spectacle que l’on sait être faux, interprété par d’autres inconnus dont le métier est précisément de se faire connaître ?Le concept de sublime, comme Baldine Saint Girons l’a développé, pourra, peut-être, être une réponse. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In spite of the omnipresence of the television and the cinema, the spectators continue to go to the theater, as if the transmission of the poetic verb by an alive medium, the actor, answered a latent necessity : why do we go to a theater, sit down with unknowns, to look in front of one at a play, that we know how to be false, interpreted by other unknowns the job by which is exactly be known ?The concept of sublime, as Baldine Saint Girons worked on it, might be an answer. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A pesar de la omnipresencia de la televisión y del cine, los espectadores continúan yendo al teatro, como si la transmisión del verbo poético por un medium vivo, el comediante, responda a una necesidad latente : ¿ Por qué vamos en una sala de teatro, se sentar cerca de desconocidos, mirar delante de sí un espectáculo que sabemos ser falso, ser interpretado por otros desconocidos cuyo oficio precisamente es darse a conocer saber ?El concepto de sublimo, como Baldine Saint Girons le ha dessarollado, quizas podria ser una repuesta. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poésie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sublime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | comédien |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectateur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | espace |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectator |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | space |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poetry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sublime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | actor |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Insistance | 9 | 1 | 2013-07-29 | p. 111-120 | 1778-7807 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-insistance-2015-1-page-111?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-insistance-2015-1-page-111?lang=fr&redirect-ssocas=7080</a> |
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