Triptych on comedy (notice n° 701447)
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| fixed length control field | 02000cam a2200205 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121213422.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Fiorentino, Francesco |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Triptych on comedy |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In order to build a bibliography concerning Italian studies of the French comedy of the seventeenth century, we have divided French comic theater into three periods: comedy before Molière, the comedy of Molière, and the comedy of the contemporaries and the successors of Molière. With regard to the comedy genre as it existed prior to Molière, the research of Italian experts in French Literature focuses on the circulation of Spanish and Italian subjects with the works of Daniela Dalla Valle, Valeria Pompejano, Monica Pavesio, and Alessandra Preda.We can say that modern Italian criticism of Molière’s works begins with Giovanni Macchia’s enquiries regarding the characters of Don Juan and Tartuffe. As far as the following generation of Molière specialists is concerned, Francesco Orlando’s interpretation of the Misanthrope has been the most important contribution. More recently, we should highlight Delia Gambelli’s research on the relationship between Molière and the Commedia dell’arte and Francesco Fiorentino’s work on the conception of the ridiculous and the comic in his plays.With regard to the comedy of Molière’s contemporaries, as well as his successors, the influence of the Commedia dell’arte continues to be crucial, as can be seen, for example, in Mariangela Mazzocchi Doglio’s edition and the research carried out by Claudio Vinti and Barbara Sommovigo. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Molière |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Comedy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Commedia dell’arte |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Pavesio, Monica |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Dix-septième siècle | o 281 | 4 | 2018-11-05 | p. 611-622 | 0012-4273 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-dix-septieme-siecle-2018-4-page-611?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-septieme-siecle-2018-4-page-611?lang=en&redirect-ssocas=7080</a> |
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