“Mi disquera no es Sony, mi disquera es la gente.” Hegemonic and counter-hegemonic processes in Miami’s Latin music industry (notice n° 715198)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01730cam a2200193 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250122192110.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bénistant, Alix |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Mi disquera no es Sony, mi disquera es la gente.” Hegemonic and counter-hegemonic processes in Miami’s Latin music industry |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 44 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The city of Miami has gradually emerged, from the 1958-59 Cuban revolution and the massive arrival of anti-Castro exiles, as an economic, migratory, and cultural regional hub. The co-presence of people of different cultures on the same territory works towards the emergence of new social and artistic practices. Made up of mixes and appropriations, they result in new cultural expressions and objects seized by media industries. The major labels, present with their Latin subsidiaries, have a leading role in the production and circulation of the new music contents. In this paper, we focused on the industry construction and the emergent practices integration process, starting from the 1970s. The links between music, politics, and territory are a central issue in our study. The hegemonic and counter-hegemonic dynamics that ensue from these stakes and power struggles within Miami mainstream culture are examined through three case studies that span the period between the 1960s and the 2000s. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular musics |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Music Industry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | latin idendity |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Les Enjeux de l’information et de la communication | o 18/1 | 1 | 2018-04-25 | p. 21-36 | 1778-4239 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-les-enjeux-de-l-information-et-de-la-communication-2017-1-page-21?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-les-enjeux-de-l-information-et-de-la-communication-2017-1-page-21?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux