Une question cent réponse(s) et trois variations d'Ambrogio Galbiati (notice n° 717661)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02124cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123063705.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bonnet, Corinne |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Une question cent réponse(s) et trois variations d'Ambrogio Galbiati |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2013.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 99 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | À l’origine des formes, dans l’art préhistorique, il y avait un espace imaginaire à plusieurs dimensions qui constituait le « fond » de la représentation. Dans l’art historique, l’espace n’avait été d’abord conçu que comme bidimensionnel. Dans la peinture, j’essaie de saisir quelque chose qui me touche, quelque chose de physique, de corporel. Je réalise cela à travers la séduction des couleurs, qui sont là pour dire l’indicible. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | At the origin of the forms, in the prehistoric art, it had an imaginary space in several dimensions which established the “bottom” of the representation. In the historic art, the space had been conceived at first only as two-dimensional. In the painting, I try to seize something which affects me, something physical, from the body. I realize it through the seduction of colors, which are there to say the unspeakable. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Al principio de las formas, en el arte prehistórico, tenía un espacio imaginario a varias dimensiones que constituía el « fondo » de la representación. En el arte histórico, el espacio primero había sido concebido sólo como bidimensional. En la pintura, trato de coger algo que me toque, algo físico, corporal. Realizo esto a través de la seducción de los colores, que están allí para decir el indecible. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | peinture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | art préhistorique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | espace |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | corps |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | touche |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | touch |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | space |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | prehistoric art |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Galbiati, Ambrogio |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Insistance | 9 | 1 | 2013-07-29 | p. 133-139 | 1778-7807 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-insistance-2015-1-page-133?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-insistance-2015-1-page-133?lang=fr&redirect-ssocas=7080</a> |
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