Suzanne simulacre (notice n° 739952)
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|---|---|
| fixed length control field | 04168cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123090948.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Igalens, Jean-Christophe |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Suzanne simulacre |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 10 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article s’intéresse aux simulacres à apparence humaine évoqués dans La Religieuse de Diderot pour montrer les relations qui les unissent et interpréter ainsi la signification de ces images : des enjeux essentiels de l’œuvre s’y condensent, le roman militant et pathétique s’y articule avec les paradoxes qui déjouent et complexifient, sans cependant les abolir, ses oppositions structurantes (liberté/aliénation ; innocente passive/persécutrices actives ; naïveté/séduction, etc.). L’image d’une Suzanne-automate est associée à la représentation de l’aliénation, depuis les vœux que le personnage prononce en étant « physiquement aliénée » jusqu’à la répétition machinale des gestes du couvent après son évasion. Le terme de « simulacre » apparaît à propos des images peintes et en particulier des portraits, associé à une opposition cruciale entre les images qui laissent froid et celles qui affectent. L’écriture romanesque de Diderot impose alors de s’interroger non seulement sur la séduction ambivalente d’une Suzanne-tableau, mais bien sur le pouvoir d’une Suzanne-simulatrice, d’une Suzanne-pantomime. Les comparaisons avec une statue concentrent enfin les relations problématiques du personnage et de la narratrice avec le désir. Si la réduction de Suzanne à un simulacre dit la dépossession de soi à laquelle le personnage semble condamné, le réinvestissement du simulacre par Suzanne-tableau et Suzanne-pantomime constitue aussi la manifestation romanesque d’une résistance à cette dépossession. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article discusses simulacra with human appearance evoked in La Religieuse by Diderot. The term “simulacrum” is used in order to describe painted images, particularly portraits, and accentuates the crucial opposition between those images that leave us unmoved and those that affect us. The article aims to show the relations between the different simulacra and to provide an understanding of the meaning of these images by focusing on the following key issues: the militant and poignant novel articulates with the paradoxes which thwart and complicate the novel’s structuring oppositions (freedom/alienation; passive innocent/active persecutors; naivety/seduction, and so forth), however, without abolishing these contrasts. The image of “Suzanne-automaton” is associated with the representation of alienation, starting with the vows, which the character pronounces while being “physically alienated”, and ending with the mechanical repetition of the gestures adopted in the convent, which she even pursues after escaping from the latter. Diderot’s novel-writing makes it necessary, at this point, to wonder not only at the ambivalent seduction of “Suzanne-painted image”, but also about the power of “Suzanne-simulator”, i.e. “Suzanne-pantomime”. The comparisons with a statue finally emphasize both the character’s and the narrator’s problematic attitude towards desire. Although Suzanne’s reduction to a simulacrum suggests the loss of self to which the character seems to be condemned, the reinforcement of the simulacrum by “Suzanne-picture” and “Suzanne-pantomime” simultaneously demonstrates a certain resistance to that loss. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | statue |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Automate |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | récit à la première personne |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | simulacre |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | portrait |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | désir |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pantomime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | tableau |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | statue |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | desire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | portrait |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | simulacrum |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Automaton |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pantomime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | first-person narrative |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Lumières | 31 | 1 | 2018-11-07 | p. 151-167 | 1762-4630 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-lumieres-2018-1-page-151?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-lumieres-2018-1-page-151?lang=fr&redirect-ssocas=7080</a> |
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