From Experiments to Figuration. Pigment Powders, Newton’s Colour Wheel and Traité de la Peinture au Pastel (notice n° 740219)
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| fixed length control field | 03100cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123091039.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Simonini, Giulia |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | From Experiments to Figuration. Pigment Powders, Newton’s Colour Wheel and Traité de la Peinture au Pastel |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article retrace les liens entre deux diagrammes qui furent publiés à seulement quatre ans d’intervalle au début du XVIIIe siècle. Le premier est le célèbre cercle chromatique d’Isaac Newton et le second est un diagramme composé de deux anneaux, publié dans un manuel sur la peinture au pastel. La technique de la peinture au pastel avait en effet gagné en popularité au cours de la seconde moitié du XVIIe siècle, alors que Newton commençait à étudier le phénomène de la couleur. Les deux schémas eurent une importance considérable dans le développement des diagrammes circulaires pour les artistes, et ils ont souvent été associés l’un à l’autre. Cet article renforce ce lien en s’intéressant aux expériences de Newton avec les pigments en poudre –en particulier leur évolution entre les années 1670 et la publication de son ouvrage Opticks. Il montre comment celles-ci ont pu être inspirées par la peinture au pastel et comment son cercle chromatique a pu dès lors être perçu comme intimement lié à ses expériences sur les poudres et, par conséquent, à la peinture au pastel. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This essay traces the interconnections between two diagrams that were published just four years apart at the beginning of the 18th century. The first is the world-renowned colour-mixing wheel of Isaac Newton, and the second is a diagram comprised of two rings which appeared in a handbook on pastel painting. The technique of pastel painting rose in popularity during the second half of the 17th century, when Newton was starting to investigate the phenomenon of colour. Both schemes have undisputed significance in the development of circular diagrams for artists, and they have often been linked to each other. This essay strengthens this connection by illustrating how Newton’s experiments with pigment powders – especially their evolution from the 1670s to the publication of Opticks – could have been inspired by pastel painting as well as how, for the same reason, his colour circle could have been perceived as intimately connected to his powder experiments and thus to pastel painting. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trichromie des couleurs |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Godfrey Kneller |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Peinture au pastel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | théorie corpusculaire de la lumière |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Claude Boutet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Robert Boyle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Pastel painting |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Godfrey Kneller |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Claude Boutet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trichromacy of colour mixtures |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | corpuscular theory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Robert Boyle |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Lumières | 43 | 1 | 2024-07-17 | p. 71-103 | 1762-4630 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-lumieres-2024-1-page-71?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-lumieres-2024-1-page-71?lang=fr&redirect-ssocas=7080</a> |
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