À la recherche des émotions fugitives, subtiles et délicates (notice n° 755262)
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| fixed length control field | 03063cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123095838.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Peng, Yuping |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | À la recherche des émotions fugitives, subtiles et délicates |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 22 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La Qiao-yiologie propose d’observer l’hybridité et l’ambivalence des phénomènes culturels en déplacement dans une espace tri-dimensionnelle. Le « Ci », poème chanté propre aux belles-lettres chinoises, est entré dans la vision des sinologues français dès le début du XXe siècle. De l’apparition du Ci dans les écrits et traductions de George Soulié de Morant, à celle des Poèmes chinois de l’époque Song, pour chant et piano, l’acculturation du Ci en France fut réalisée par la métamorphose de l’art idéogrammatique en art acoustique et ensuite de l’art idéogrammatique en art total et polyphonique. Le binôme idéogramme/phonogramme, par l’intermédiaire de la musique, langage sans frontière, permet d’exprimer les émotions fugitives, subtiles et délicates des êtres humains, ce qui confirmerait les rapports étudiés par la qiao-yiologie entre le « Qi » (« le déplacement ») et le « Yi » (« les échanges ») tant au niveau géographique qu’au niveau idéologique. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Qiao-yiology proposes to observe the hybridity and ambivalence of cultural phenomena moving in a three-dimensional space. The “ Ci”, a sung poem specific to Chinese belles-lettres, entered the vision of French sinologists from the beginning of the 20th century. From the appearance of the Ci in the writings and translations of George Soulié de Morant, to that of the Chinese Poems of the Song period, for voice and piano, the acculturation of the Ci in France was achieved by the metamorphosis of ideogrammatic art. in acoustic art and then from ideogrammatic art to total and polyphonic art. The ideogram/phonogram binomial, through music, a language without borders, makes it possible to express the fugitive, subtle and delicate emotions of human beings, which would confirm the relationships studied by qiao-yiology between “ Qi” (“displacement”) and “ Yi” (“exchanges”) both geographically and ideologically. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | le « Ci » |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | George Soulié de Morant |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | les émotions humaines |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | pour chant et piano |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Poèmes chinois de l’époque Song |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | la |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Florilège des Poèmes Song |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Qiaoyi-logie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | the “Ci” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | George Soulié de Morant |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | for voice and piano |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Qiaoyi-logy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | human emotions |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Chinese poems from the Song period |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Miscellany of Song Poems |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Guo, Lina |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Monde chinois | 66-67 | 2 | 2022-05-23 | p. 51-67 | 1767-3755 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-monde-chinois-2021-2-page-51?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-monde-chinois-2021-2-page-51?lang=fr&redirect-ssocas=7080</a> |
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