An Infusion of Poetic Rhyme and a Diffusion of Musical Rhythm: An Analytical Perspective on Rhythmic Distortion in Extracts from André Caplet’s Cinq ballades françaises (notice n° 757311)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02960cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123100815.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Wilson, Clare |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | An Infusion of Poetic Rhyme and a Diffusion of Musical Rhythm: An Analytical Perspective on Rhythmic Distortion in Extracts from André Caplet’s Cinq ballades françaises |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 74 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dans les Cinq ballades françaises de Caplet, un riche éventail de techniques rythmiques fait naître différents types d’espaces auditifs. Caplet utilise fréquemment le piano à l’égal de la voix et ses passages solistes influent sur la perception du temps musical par l’auditeur. L’application de méthodes analytiques essentiellement rythmiques à trois mélodies de cet ensemble – « Cloche d’aube », « Songe d’une nuit d’été » et « L’adieu en barque » – révèle des idées musico-poétiques caractéristiques du compositeur. L’analyse d’extraits de ces mélodies met en lumière deux points particuliers de la place du rythme parmi les différents éléments de son langage musical : les distorsions rythmiques présentes dans les passages de piano soliste et le travail sur la prosodie et l’équilibre des rythmes poétique et musical. Cet article ouvre des perspectives d’approches renouvelées du langage remarquablement original de Caplet, prompt à créer des sonorités et des atmosphères nouvelles et captivantes. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In Caplet’s Cinq Ballades Françaises, a range of rhythmic approaches evoke different kinds of aural spaces. Caplet frequently situates the piano as an equal component to the voice, and piano solo passages create sonorities that can influence the listener’s perception of musical time. In taking extracts from three mélodies in this set – “Cloche d’aube”, “Songe d’une nuit d’été” and “L’Adieu en barque” – this article outlines some of the ways that applying rhythmically-driven analytical methods can reveal significant insights into Caplet’s musicopoetic voice. The analysis of selected extracts from the chosen mélodies highlights rhythmic actions within different elements of Caplet’s musical language by illuminating two fields: rhythmic distortions in piano solo passages, and prosody and the balance of poetic and musical rhythm. This article presents perspectives on Caplet’s strikingly original and compelling musical language as a means of evoking sonority and atmosphere. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | André Caplet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poésie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mélodie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rythme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Paul Fort |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rhythm |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | André Caplet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mélodie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poetry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Paul Fort |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Musurgia | Volume XXIX | 1 | 2022-12-06 | p. 25-48 | 1257-7537 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-musurgia-2022-1-page-25?lang=en&redirect-ssocas=7080">https://shs.cairn.info/revue-musurgia-2022-1-page-25?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux