Projection et transe-formation dans l’œuvre de Niki de Saint Phalle (notice n° 776798)
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| fixed length control field | 03541cam a2200301 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123111135.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ravit, Magali |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Projection et transe-formation dans l’œuvre de Niki de Saint Phalle |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 37 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Nous invitons le lecteur à penser la clinique de l’extrême à partir du décalage que nous permet l’art, et en particulier l’œuvre de Niki de Saint phalle. La scène des « Tirs–Performances », que l’artiste présente comme des assassinats publics, se présente comme une périphérisation topique engageant le pulsionnel et son extinction. Ce dispositif est une véritable caisse de résonance intime permettant à l’artiste de re-jouer l’expérience traumatique, de la transe-former en occupant une place de sujet agissant. L’artiste entre véritablement en transe, en extase, face à la sidération et la terreur qu’elle exécute dans une sorte d’orgie narcissique. Le processus de projection-introjection est là particulièrement convié à partir du jeu avec l’environnement. Ce détour par l’art permet sur bien des points d’appréhender ce qui semble se jouer dans les violences les plus extrêmes. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | We invite the reader to think about the clinic of the extreme from the shift that art allows us, and in particular the work of Niki de Saint Phalle. The scene of the “Shooting-Performances”, which the artist presents as public assassinations, is presented as a topical peripheralization involving the instinctual and its extinction. This device is a veritable intimate sounding board allowing the artist to re-enact the traumatic experience, to shape it by occupying the place of an acting subject. The artist truly enters into a trance, into ecstasy, faced with the astonishment and terror that she executes in a sort of narcissistic orgy. The process of projection-introjection is here particularly invited from the game with the environment. This detour through art allows on many points to apprehend what seems to be at stake in the most extreme violence. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Invitamos al lector a pensar la clínica del extremo desde el desplazamiento que nos permite el arte, y en particular la obra de Niki de Saint Phalle. La escena de los “Shooting-Performances”, que el artista presenta como asesinatos públicos, se presenta como una periferización tópica que involucra lo instintivo y su extinción. Este dispositivo es una verdadera caja de resonancia íntima que permite al artista recrear la experiencia traumática, darle forma ocupando el lugar de un sujeto actor. La artista entra verdaderamente en trance, en éxtasis, ante el asombro y el terror que ejecuta en una especie de orgía narcisista. El proceso de proyección-introyección está aquí especialmente llamado desde el juego con el entorno. Este rodeo por el arte permite en muchos puntos aprehender lo que parece estar en juego en la violencia más extrema. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Niki de Saint Phalle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transformation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | projection |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | destructivité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | traumatisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Niki de Saint Phalle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transformation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trauma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | projection |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | destructiveness |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Psychologie clinique et projective | 33 | 1 | 2023-06-30 | p. 175-184 | 1265-5449 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-psychologie-clinique-et-projective-2023-1-page-175?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-psychologie-clinique-et-projective-2023-1-page-175?lang=fr&redirect-ssocas=7080</a> |
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