Entretien avec Frédéric Diart, peintre classique (notice n° 803275)

détails MARC
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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Holland, John
Relator term author
245 00 - TITLE STATEMENT
Title Entretien avec Frédéric Diart, peintre classique
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2014.<br/>
500 ## - GENERAL NOTE
General note 26
520 ## - SUMMARY, ETC.
Summary, etc. Frédéric Diart a accepté de s’entretenir avec Psychanalyse au sujet de son œuvre picturale, dans laquelle la matière (résines, solvants, matières organique – sang de bœuf – et végétale, colles diverses) et les mots s’allient et fusionnent pour atteindre un au-delà dans un renoncement aussi bien au langage qu’à la peinture. Son travail est une véritable recherche engagée depuis des années sur les mots, des mots qui résonnent avec des expériences extrêmes aux limites de l’humain, des mots-limites, des mots-frontières qui bordent et ouvrent sur un autre espace. Frédéric Diart se dit peintre classique, ses tableaux ne le sont pas.
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Summary, etc. Interview with Frédéric Diart, classical painterFrédéric Diart met with Psychanalyse to discuss his artistic work in which matter (resins, solvents, organic materials and vegetable materials such as cow’s blood and different kinds of glues) and words come together and merge, uniting in a “beyond” where both language and painting are relinquished. His work forms a true, years-long research into the nature of words, words which resound with extreme experiences at the limit of the human, borderline words, frontier words which delimit and open onto an other space. If Diart calls himself a classical painter, his work is anything but...
520 ## - SUMMARY, ETC.
Summary, etc. Frederic Diard aceptó conversar con la revista Psychanalyse a propósito de su obra pictórica, en que la materia (resina, disolvente, materia orgánica – sangre de buey – y vegetal, colas diversas) y las palabras se alían y fusionan para alcanzar un más allá en un renunciamiento tanto al lenguaje como a la pintura. Su trabajo es una verdadera investigación desde hace años que resuenan con experiencias extremas hasta los límites de lo humano, palabras límites, palabras fronteras que bordean y abren hacia otro espacio. Frederic Diart se considera como un pintor clásico, sus cuadros no lo son.
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Personal name Sidoit, Véronique
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786 0# - DATA SOURCE ENTRY
Note Psychanalyse | 31 | 3 | 2014-10-01 | p. 95-104 | 1770-0078
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-psychanalyse-2014-3-page-95?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-psychanalyse-2014-3-page-95?lang=fr&redirect-ssocas=7080</a>

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