« Cette guitare n'a plus que quelques secondes à vivre » (notice n° 809855)
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| fixed length control field | 02718cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123124828.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Leonard, Marion |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | « Cette guitare n'a plus que quelques secondes à vivre » |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 20 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article s’intéresse au lien entre les musiques populaires et la patrimonialisation. En particulier, il examine la façon dont différents types d’organisation confèrent du sens et de la valeur aux cultures matérielles associées aux musiques populaires, en fonction de leurs politiques de collection et présentation aux publics. On s’interessera notamment à la seconde vie de deux guitares brisées sur scène par Pete Townshend des Who, véritable marque de fabrique de ses prestations scéniques. Une de ces guitares est exposée au Victoria and Albert Museum de Londres, tandis que la seconde est exhibée au Hard Rock Café de Chicago. En choisissant des objets semblables exposés dans deux environnements très différents, il est possible d’étudier la façon dont le contexte influe sur la production du sens et de la valeur. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | « This Guitar has only Seconds to live ». The Afterlife of Pete Townshend’s Guitars and the Contexts of Popular Music HeritageThis article considers how popular music is positioned as heritage. In particular, it explores how material culture associated with popular music is given meaning and value by differing organisations through their collection policies and modes of public display. Specific attention is given to the « afterlife » of two guitars smashed by Pete Townshend of the Who in what has become a trademark part of his stage performance. One of these guitars is on display at the Victoria and Albert Museum, London while the other can be seen in the Hard Rock Café, Chicago. By selecting similar objects on display in two very different environments it is possible to explore how their context, display design and interpretation impact on how meaning and value are constructed. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | culture matérielle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | patrimonialisation du rock |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | restaurants à thème |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musiques populaires |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | guitare électrique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musée |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rock heritage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | museum |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | popular music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | theme restaurants |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | material culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | electric guitar |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Zanolin, Sandie |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Questions de communication | 22 | 2 | 2012-12-01 | p. 87-102 | 1633-5961 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-questions-de-communication-2012-2-page-87?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-questions-de-communication-2012-2-page-87?lang=fr&redirect-ssocas=7080</a> |
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