Deux modèles français pour la création d’une peinture d’histoire nationale polonaise (notice n° 822503)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01237cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123132745.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Paccoud, Stéphane |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Deux modèles français pour la création d’une peinture d’histoire nationale polonaise |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 83 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the context of the November 1830 uprising, there arose in Poland the desire for the emergence of national history painting. Turning away from the formulas then in vigor, judged outdated, several young artists sought out French models. Two artists in particular prevailed as their references and generated this rupture: Théodore Géricault and Horace Vernet. This article proposes the analysis of the process around two principal figures: Piotr Michalowski (1800-1855) and January Suchodolski (17971875), each confronted directly – but differently – with the works of their respective mentors, and both actors in these transnational cultural transfers that marked Polish art in the first part of the 19th century. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de l'art | 203 | 1 | 2019-09-26 | p. 47-56 | 0035-1326 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-de-l-art-2019-1-page-47?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-de-l-art-2019-1-page-47?lang=fr&redirect-ssocas=7080</a> |
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