Face au cadavre (notice n° 822517)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01623cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123132747.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lahaeye, Anaelle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Face au cadavre |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 94 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The corpse is an essential motif in Western art. Even so, its iconography has varied enormously throughout the course of art history. This variation can be explained, in part, by the hesitations surrounding the acceptation of what is a corpse. Schematically is it to be affiliated with an object or with an individual. The work of historians such as Philippe Aries and today Anne Carol tend to demonstrate that the 19th century is a moment when these considerations surrounding the corpse become more complex. The question raised by this article is the impact of the two concepts on the art of this period. Effectively comparative studies show an evolution in the methods of representing the corpse, with works emphasizing the materiality of the body, as in Théodore Géricault’s Fragments Anatomiques (1819). But does it indicate an inclination to move from the representation of corpse as subject towards the corpse object? The discernible differences in the evolution of the motif of the corpse between the status of the works, their subject and even the type of corpses represented renders the question more complex and leads to a broader view of the whole contemporary period. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de l'art | 204 | 2 | 2019-10-26 | p. 59-64 | 0035-1326 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-de-l-art-2019-2-page-59?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-de-l-art-2019-2-page-59?lang=fr&redirect-ssocas=7080</a> |
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