La Résurrection de Lazare d’Usson : enquête sur une énigme iconographique (notice n° 823210)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01323cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123132935.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dechamps, Claire |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La Résurrection de Lazare d’Usson : enquête sur une énigme iconographique |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 45 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The church of Saint Maurice in Usson in Auvergne has, within its walls, a 15th century Resurrection of Lazarus. It was commissioned by Louis bâtard de Bourbon and Jeanne bâtard de France, illegitimate daughter of Louis XI, following their marriage. The very rare iconography pointed out by an insistent gesticulation has taken on meaning through the in-depth study of the historical context. It revealed a double reading and showed the hidden portraits of the King giving his daughter in marriage to Louis bâtard de Bourbon and pictures the fortress of Usson. Made at the request of the spouses, this panel is the work of an anonymous artist, referred to as the Maître d’Usson. Painter and illuminator in the line of Fouquet, he would have collaborated with Jean Colombe during the second half of the 15th century. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue de l'art | 219 | 1 | 2023-07-17 | p. 18-29 | 0035-1326 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-de-l-art-2023-1-page-18?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-de-l-art-2023-1-page-18?lang=fr&redirect-ssocas=7080</a> |
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