Kizomba Dance: From Market Success to Controversial National Brand (notice n° 837897)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 04083cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123141225.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Jiménez-Sedano, Livia |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Kizomba Dance: From Market Success to Controversial National Brand |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 18 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’objectif de cet article est d’analyser comment la globalisation contre-hégémonique d’une danse — la kizomba — a eu une répercussion sur la représentation symbolique d’une nation — l’Angola — et les polémiques suscitées. La danse de couple appelée kizomba est devenue populaire dans certaines villes de l’Afrique lusophone et à Lisbonne pendant les années 1980. Au milieu des années 1990, une version commerciale de la danse est introduite en Portugal et ensuite globalisée. Les professeurs entrent en concurrence pour attirer des élèves, et mènent des débats sur l’angolanité, la cap-verdianité, l’africanité ou le caractère global de la danse pour donner de la légitimité à leurs propres pratiques. L’État d’Angola a ainsi profité du succès de la kizomba pour revendiquer la musique et la danse comme symboles nationaux. En conclusion, les industries globales sont devenues centrales pour définir les symboles nationaux dans le contexte néolibéral, notamment dans le cas des ex-colonies. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper aims to analyze how the global contra-flow of a dance style — kizomba — generated an impact on the symbolic representation of a nation — Angola — nd the controversies this national branding involves. The kizomba couple dance style became popular in some Portuguese-speaking African cities and nightclubs in Lisbon in the 1980s. In the mid-1990s, the style underwent commodification in Portugal. In less than ten years, it went onto become a global dance industry in which teachers compete to attract students and correspondingly triggering heated debates on the Angolan-ness, Cape-Verdean-ness, African-ness or the global character of kizomba to legitimize their own practices. In this context, the Angolan state has also capitalized on kizomba’s global success to claim the music and the dance as national symbols. Our conclusion points to how global industries have gained greater influence over the definition of national symbols in late modernity, a process to which former colonies would seem more vulnerable. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | El objetivo de este artículo es analizar cómo la globalización contra-hegemónica de un estilo de baile — la kizomba — ha influido en la representación simbólica de una nación — Angola — y las polémicas circundantes. El baile de pareja llamado kizomba se popularizó en ciertas ciudades y clubes nocturnos del África de lengua portuguesa y de Lisboa durante los 1980. A mediados de los 1990, se creó una versión comercial en Portugal que fue globalizada. En esta industria global, los profesores compiten por atraer alumnos, generando enardecidos debates sobre la angolanidad, caboverdianidad, africanidad o carácter global del baile para legitimar su propia práctica. En este contexto, el estado de Angola también ha aprovechado el éxito de la kizomba para reclamar la música y el baile como símbolos nacionales. En conclusión, las industrias globales han adquirido una enorme relevancia para definir los símbolos nacionales en el capitalismo tardío, especialmente en países que fueron colonizados. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Kizomba |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | contre-flux |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nationalisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transnationalisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | danse sociale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | globalisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Kizomba |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transnationalism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | globalization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nationalism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | contra-flow |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | social dance |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue européenne des migrations internationales | 35 | 3 | 2020-04-21 | p. 107-127 | 0765-0752 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-europeenne-des-migrations-internationales-2019-3-page-107?lang=en&redirect-ssocas=7080">https://shs.cairn.info/revue-europeenne-des-migrations-internationales-2019-3-page-107?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux