Ellison avec Barthes : occultation et désoccultation du « canon ethnique » dans Erasure de Percival Everett (notice n° 854214)

détails MARC
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250123150357.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Feith, Michel
Relator term author
245 00 - TITLE STATEMENT
Title Ellison avec Barthes : occultation et désoccultation du « canon ethnique » dans Erasure de Percival Everett
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2007.<br/>
500 ## - GENERAL NOTE
General note 12
520 ## - SUMMARY, ETC.
Summary, etc. Erasure is a work so replete with various forms of parody and pastiche that these strategies of rewriting constitute its thematic and formal core. The protagonist, Thelonious “Monk” Ellison, is himself an African American parodist, but one of his endeavors backfires, forcing him to play the neo-minstrel part of a stereotypical “black writer.” The novel develops a poetics of allusion that implies a complex relationship with several “canons,” among which the poststructuralist doxa, represented by a parody of Barthes’s S/Z; ghetto novels predicated on the “black experience”; and, last but not least, Ralph Ellison’s Invisible Man. The various treatments range from downright burlesque and ridicule, to critical parody and pastiche-as-tribute. The relation of text to hypotext can take on an interventionist quality, indirectly performing the canonical operation of literary evaluation. The novel seems to be rather a negative ars poetica, a deconstruction of ethnic and national canons, than a refoundational enterprise: no “blueprints for Negro writing” are proposed. Yet, Ralph Ellison’s refusal to be limited to a “racial” province, and his advocacy of the literariness of the novel over its sociological significance, seem most congenial to Everett, and make him the real “ancestor” of the younger writer’s creative and comic wisdom.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element littérature afro-américaine
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element postmodernisme
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element média
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element « race »
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element canon
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element parodie
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element media
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element African American literature
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element parody
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element postmodernism
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element canon
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element “race”
786 0# - DATA SOURCE ENTRY
Note Revue française d’études américaines | 110 | 4 | 2007-07-30 | p. 61-77 | 0397-7870
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2006-4-page-61?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2006-4-page-61?lang=fr&redirect-ssocas=7080</a>

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