Jeu et art dans la préhistoire (notice n° 854312)
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| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gibeault, Alain |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Jeu et art dans la préhistoire |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2004.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 100 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dès son apparition, l’ Homo sapiens sapiens a cherché à surmonter sa détresse originaire par le jeu de la création artistique ayant certes une fonction rituelle de communication avec des esprits mythiques, mais ouvrant sur l’infinie variété des formes peintes, sculptées ou gravées souvent inscrites dans un matériau résistant à l’usure du temps. Si les représentations humaines sont souvent peu réalistes, schématiques ou fragmentées, contrairement aux représentations animales, beaucoup plus objectives, on peut penser que l’affect de honte primaire, comme le décrit Claude Janin, a conduit l’artiste préhistorique à dissimuler la représentation du corps humain et à obéir ainsi au refoulement organique, figure du refoulement originaire qui est au fondement de la pulsion, de la vie psychique et de la culture. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Summary — From the very beginning, Homo sapiens sought to overcome his original distress with the play of artistic creation, that, of course, had the ritual function of communicating with mythical spirits, but extended to an infinite variety of painted, sculpted or engraved forms, that were often inscribed in a resistant material that resisted wearing down with time. Whilst human representations were often hardly realistic, schematic or fragmented, in contrast with animal representations that were much more objective, one can imagine that the affect of primary shame, described by Claude Janin, led the prehistorical artist to hide representations of the human body and thus to obey organic repression, a figure of the original repression at the basis of the drive, of psychic life and of culture. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Desde su aparición, el Homo sapiens intentó sobrepasar su desamparo originario a través del juego de la creación artística, teniendo efectivamente una función ritual de comunicación con espíritus míticos, pero dando apertura a la infinita variedad de formas pintadas, esculpidas o grabadas a menudo inscritas en un material resistente al paso del tiempo. Si las representaciones humanas son a menudo poco realistas, mucho má s objetivas, entonces podemos pensar que el afecto de vergüenza primaria como lo describe Claude Janin, condujo al artista prehistórico a disimular la representación del cuerpo humano y así acatar a la represión orgá nica, figura de la representación originaria que constituye la base de la pulsión, de la vida psíquica y de la cultura. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Zusammenfassung — Seit seiner Existenz, hat l’Homo Sapiens versucht, seine Urhilflosigkeit mit Hilfe des Spiels der artistischen Schöpfung zu überwinden, welche bestimmt eine rituelle Kommunikationsfunktion mit mythischen Geistern hatte, aber eine Öffnung auf die unendliche Varietät der gemalten, mit Skulpturen verzierten oder eingravierten Formen bedeutet, oft in einem Material eingraviert, welches der Abnützung der Zeit resistiert. Wenn die menschlichen Darstellungen oft wenig realistisch sind, schematisch oder fragmentiert, im Gegensatz zu den viel objektiveren Tierdarstellungen, kann man denken, dass der primäre Schamaffekt, so wie Claude Janin ihn beschreibt, den Künstler der Urgeschichte dazu geführt hat, die Darstellung des menschlichen Körpers zu verstecken und somit der organischen Verdrängung zu gehorchen, Figur der Urverdrängung, welche die Begründung des Triebs, des psychischen Lebens und der Kultur ausmacht. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Sin dal suo apparire, l’Homo sapiens ha cercato di superare la sua indigenza originaria con il gioco della creazione artistica che se ha una funzione rituale di communicazione con gli spiriti mitici, apre anche sull’infinita varietà delle forme pittoriche, sculturali o incise, spesso su materiale resistente all’usura del tempo. Se spesso le figure umane sono poco realistiche, schematiche o frammentarie, contrariamente a quelle degli animali, molto più oggettive, si puo’ pensare che l’affetto vergogna primaria descritto da Claude Janin, ha portato l’artista preistorico a dissimulare la rappresentazione del corpo umano, obbedendo cosi’ alla rimozione organica che ne è una sua originara figura che sta a fondamento della pulsione, della vita psichica e della cultura. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Refoulement originaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Honte primaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Refoulement organique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Espace potentiel de jeu |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Art préhistorique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Primary shame |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Original repression |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Prehistoric art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Potential space of play |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Organic repression |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française de psychanalyse | 68 | 1 | 2004-02-01 | p. 259-272 | 0035-2942 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-de-psychanalyse-2004-1-page-259?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-de-psychanalyse-2004-1-page-259?lang=fr&redirect-ssocas=7080</a> |
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