Traumatisme et Trope dans « The Beast in the Jungle » de Henry James (notice n° 855890)
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| fixed length control field | 03202cam a2200337 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123151106.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Anker, Richard |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Traumatisme et Trope dans « The Beast in the Jungle » de Henry James |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2011.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cet article tente d’interpréter la peur chez James à la lumière de la scène antérieure de la conscience. Comme le démontre la réapparition de cette scène, évoquée de manière compulsive dans toute l’œuvre de James, l’impulsion artiste du sujet procède d’une perte « traumatique » de la présence à soi, elle-même causée par l’inscription langagière du sujet et par la rencontre avec l’autre. Dans « The Beast in the Jungle », en une parodie tragique de l’impulsion artiste qui détermine l’œuvre de James dans sa totalité, la conscience spéculative de John Marcher oblitère la scène antérieure de la rencontre avec l’autre dont dépend l’identité du sujet singulier. Une relecture du célèbre cauchemar apollinien précède l’analyse de « The Beast in the Jungle » afin de délimiter l’opération de l’impulsion artiste. La lecture de cette nouvelle est suivie d’une brève analyse de la rencontre spectrale qui se dramatise dans « The Way it Came », afin d’opposer un contre-exemple à la sorte de panique spéculative qui donne lieu à l’« aventure négative » de John Marcher. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article attempts to understand fear in James with respect to the anterior scene of consciousness. As the compulsively repeated representation of this scene in James’s work shows, the artistic impulse of the subject derives from a “traumatic” loss of self-presence, itself the consequence of the linguistic inscription of the subject and its encounter with the other. In a tragic parody of the artistic impulse as it determines James’s work as a whole, the speculative consciousness of John Marcher, in “The Beast in the Jungle,” obliterates the anterior scene of the encounter with the other on which the identity of the singular subject depends. Prior to the reading of the novella, a rereading of the famous Apollonian nightmare that James recounts in his autobiography is proposed, in order to delimit the operation of the artistic impulse. The reading of “The Beast in the Jungle” is then followed by a brief analysis of the spectral encounter in “The Way it Came,” in order to provide a counter-example to the kind of speculative panic that gives rise to the “negative adventure” of John Marcher. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trope |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spéculaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | traumatisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hantise |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cauchemar |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Henry James |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | peur |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | trope |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | nightmare |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | hauntedness |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | specularity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | traumatism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | fear |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Henry James |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | 125 | 3 | 2011-04-01 | p. 38-53 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2010-3-page-38?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2010-3-page-38?lang=fr&redirect-ssocas=7080</a> |
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