La Scène originaire ou la représentation impossible dans « The Fall of the House of Usher » (notice n° 857379)

détails MARC
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Language code of text/sound track or separate title fre
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Personal name Amfreville, Marc
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245 00 - TITLE STATEMENT
Title La Scène originaire ou la représentation impossible dans « The Fall of the House of Usher »
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2013.<br/>
500 ## - GENERAL NOTE
General note 56
520 ## - SUMMARY, ETC.
Summary, etc. Far from psychobiography and “textual psychoanalysis,” this article probes into the all-informing fantasy of the Primal Scene in Poe’s “Fall of the House of Usher.” It seeks to demonstrate, by relying on Marin, Rancière and Rosolato, that a pre-Freudian work of art can resort to an intuition of repressed images and mechanisms at work in our symbolization of life and death, precisely to represent the impossibility of imitation, while paradoxically opening up to another form of mimesis. It thus touches upon the very question of the origin of creation and identifies a specifically literary knowledge of the unconscious, which may account for this tale’s inexhaustible power of fascination.
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Topical term or geographic name as entry element « Fall of the House of Usher »
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Topical term or geographic name as entry element « Fall of the House of Usher »
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Topical term or geographic name as entry element Poe
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786 0# - DATA SOURCE ENTRY
Note Revue française d’études américaines | 135 | 1 | 2013-11-01 | p. 27-38 | 0397-7870
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-1-page-27?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-1-page-27?lang=fr&redirect-ssocas=7080</a>

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