« La notation est une manière de faire bouger les gens » (notice n° 861109)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01987cam a2200277 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123152820.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Saladin, Matthieu |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | « La notation est une manière de faire bouger les gens » |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 63 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cornelius Cardew’s theoretical as well as graphic research on musical notation in the 1960s is part of a broader reflection on the relation between writing and indeterminacy. According to Cardew, any notation, whatever its established degree of precision or complexity, is in close relationship with indeterminacy. When this relationship is accepted as such, writing can give rise to scores opening up to process and whose sole value is in the immanence of their enactment. By following the composer’s intellectual and artistic itinerary, one realizes these considerations underlie a profound reflection on the emancipation of individuals. By analyzing some of his experimental scores, I will examine the singular theory of emancipation which gradually takes shape in Cardew’s work. Far from being solely a hymn to the power of invention demonstrated by the musicians faced with indeterminacy, this music may well lead those who perform it to question the collective dimension of creation, as well as the extent and contingency of the conventions and shared assumptions among which this creation can take place. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | indétermination |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | création collective |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | affects |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | partition graphique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | notation musicale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Cornelius Cardew |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | émancipation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | esthétique de l’échec |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | partition-texte |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | expérimentation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | 153 | 4 | 2018-05-03 | p. 64-78 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2017-4-page-64?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2017-4-page-64?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux