Les images – et discours – mythiques, iconiques, belles et esthétiques dans la pratique psychanalytique (notice n° 864526)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250123153840.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Oppenheim, Daniel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Les images – et discours – mythiques, iconiques, belles et esthétiques dans la pratique psychanalytique |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 53 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’auteur s’appuie sur trois images du film Cris et chuchotements pour différencier les mythiques et les iconiques, les belles et les esthétiques. Ce qui est dit sur elles s’applique aussi aux mots. Ces quatre types se retrouvent dans les discours des analysants et il est utile de les distinguer pour faire bon usage des unes et éviter les pièges des autres. Des exemples l’illustrent. L’image mythique renvoie à des mythes qui appartiennent à notre culture autant qu’à l’enfance : la pietà, la mort, le Rien, les murs, l’errance, le cri… La violence de son irruption, comme celle de la belle image, introduit une rupture dans la continuité du discours du patient et de l’écoute de l’analyste, les attire fugacement plus loin sur l’autre scène. L’image iconique, violente, objet figé, sans polysémie, pris dans le stock culturel idéologique ou marchand actuel, veut convaincre sans discussion. L’image esthétique, elle aussi à visée défensive, cherche à séduire l’analyste, à endormir sa vigilance. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The author uses three images from the film Cries and Whispers to differentiate mythical and iconic images from beautiful and aesthetic images. What is said about them also applies to words. These four types are found in the discourses of analysands and it is useful to distinguish them in order to make good use of one and to avoid the pitfalls of the others. Examples are given to illustrate this. The mythical image refers to myths that belong to our culture as much as to childhood: the pietà, death, Nothingness, the walls, wandering, the cry… The violence of its eruption, like that of the beautiful image, introduces a break in the continuity of the patient’s discourse and the analyst’s listening, and fleetingly attracts them further on to the other stage. The violent, iconic image, a fixed object, without polysemy, caught in the current ideological or commercial cultural stock, seeks to convince without discussion. The aesthetic image, which also has a defensive aim, seeks to seduce the analyst, to lull his vigilance. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | El autor se apoya en tres imágenes de la película Gritos y susurros para diferenciar las míticas de las icónicas y las bellas de las estéticas. Lo dicho sobre las imágenes es también aplicable a las palabras. Los cuatro tipos están presentes en los discursos de los analisantes y es útil distinguirlos a fin de hacer un buen uso de unas y sortear las trampas de las otras. Dos ejemplos van a ilustrarlo. La imagen mítica remite a mitos que forman parte tanto de nuestra cultura como de la infancia: la pietà, la muerte, la Nada, los muros, el errar, el grito…La violencia de su irrupción, como aquélla de la bella imagen, introduce una ruptura en la continuidad del discurso del paciente y de la escucha del analista, fugazmente los atrae más lejos hacia la otra escena. La imagen icónica, violenta, objeto congelado, sin polisemia, tomado de la reserva cultural ideológica o comercial actual, quiere convencer sin discusión. La imagen estética, también tiene metas defensivas, intenta seducir al analista, o adormecer su vigilancia. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | images/discours mythiques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | images/discours esthétiques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | espace transitionnel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | images/discours beaux |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | images/discours iconiques |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | culture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | iconic images/discourses |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transitional space |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aesthetic images/discourses |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mythical images/discourses |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | beautiful images/discourses |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française de psychanalyse | 85 | 4 | 2021-08-02 | p. 899-909 | 0035-2942 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-de-psychanalyse-2021-4-page-899?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-de-psychanalyse-2021-4-page-899?lang=fr&redirect-ssocas=7080</a> |
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