Devant les grilles : les poètes juifs américains et la Shoah (notice n° 871160)

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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Rubin, Steven J.
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245 00 - TITLE STATEMENT
Title Devant les grilles : les poètes juifs américains et la Shoah
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2009.<br/>
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General note 94
520 ## - SUMMARY, ETC.
Summary, etc. Throughout history, Jewish literature has served as an effective vehicle for recalling a past that has often been traumatic. Like other Jewish writers, American Jewish poets have understood that the creative act can play a vital role in the process of remembering, a process that has often been necessary for survival. As the contemporary poet Gerald Stern states : “It is the poet’s job to remember… that is, to keep the past alive.” This task is not unique to poets. It is, however, interesting to note that a great many late twentieth and early twenty-first century American Jewish poets have sought through their art to imagine and somehow decipher the meaning of the loss of a culture and of six million Jewish lives. And it may be that poetry, free from the constraints of characterization, plot, setting, and verisimilitude, is the ideal form to explore and recall the most traumatic event in modern Jewish history. This essay will explore how two accomplished but very different American Jewish poets —Charles Reznikoff (1894-1976) and Anthony Hecht (1923-2004) —came to view the Shoah as one of their major poetic pre-occupations.
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Personal name Drevon, Claire
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Note Revue d’Histoire de la Shoah | 191 | 2 | 2009-10-14 | p. 39-56 | 2111-885X
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-39?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-d-histoire-de-la-shoah-2009-2-page-39?lang=fr&redirect-ssocas=7080</a>

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