Lost illusions in Interwar Europe: nation and self in Robert Musil (notice n° 912918)

détails MARC
000 -LEADER
fixed length control field 02756cam a2200229 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250125011725.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Máiz, Ramón
Relator term author
245 00 - TITLE STATEMENT
Title Lost illusions in Interwar Europe: nation and self in Robert Musil
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2022.<br/>
500 ## - GENERAL NOTE
General note 9
520 ## - SUMMARY, ETC.
Summary, etc. The work of Robert Musil Der Mann ohne Eigenschaften is not only considered one of the heights of the twentieth century novel, but also constitutes an essay of deep political theoretical depth on the nation and nationalism in interwar Europe. The crisis of the Austro-Hungarian Empire serves as the reason for the author to develop a deep critique of some of the fundamental theoretical foundations of modern political thought. This article shows how the systematic criticism to which essentialist and racist nationalism is subjected in the work is based on a review of two of the philosophical assumptions that make it possible: the linear conception of time and history, and the metaphysics of the subject. The analysis explores the deep relationship that exists in the work between individual identity (the subject) and collective identity (the nation), between the crisis of the modern unitary subject as an autonomous individual and the difficulties of the construction of a pluralist and democratic, inclusive concept of Nation.
520 ## - SUMMARY, ETC.
Summary, etc. La obra de Robert Musil Der Mann ohne Eigenschaften no sólo se considera una de las cumbres de la novela del siglo XX, sino que constituye también un ensayo de profundo calado teórico político sobre la nación y los nacionalismos en la Europa de entreguerras. La crisis del Imperio austrohúngaro sirve de motivo al autor para desarrollar una crítica profunda de algunos de los fundamentos teóricos fundamentales del pensamiento político moderno. Este artículo muestra cómo la crítica sistemática a la que el nacionalismo esencialista y racista se somete en la obra se basa en una revisión de dos de los presupuestos filosóficos que la hacen posible: la concepción lineal del tiempo y la historia, y la metafísica del sujeto. El análisis explora las profunda relación que existe en la obra entre la identidad individual (el sujeto) y la identidad colectiva (la nación), entre la crisis del sujeto unitario moderno como individuo autónomo y las dificultades de la construcción de un concepto pluralista, democrático e inclusivo de Nación.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Nationalism
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element collective identity
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element nationalities
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Austro-Hungarian Empire
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Robert Musil
786 0# - DATA SOURCE ENTRY
Note Araucaria | 49 | 1 | 2022-01-01 | p. 11-36 | 1575-6823
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revista-araucaria-2022-1-page-11?lang=es&redirect-ssocas=7080">https://shs.cairn.info/revista-araucaria-2022-1-page-11?lang=es&redirect-ssocas=7080</a>

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