De la invisibilidad a la reparación: el largo camino de las mujeres víctimas del terrorismo y su construcción en el cine (notice n° 912959)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02368cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125011731.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Martínez Álvarez, Josefina |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De la invisibilidad a la reparación: el largo camino de las mujeres víctimas del terrorismo y su construcción en el cine |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 49 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Since 2001, filmmakers have reflected in their works the consequences of domestic terrorism on those women who, directly or indirectly, have been victims of political violence. This article analyzes the cinematographic treatment given to these victims in the fiction films produced in four countries –Ireland, Germany, Italy and Spain–, punished with greater virulence for the armed struggle, once after the terrorist groups laid down their arms. The objective of this research is to know the differences and similarities of the stereotypes proposed in the films. Those women who were silenced during the hardest years of the armed struggle will now be defined with characteristics that serve as a universal model to understand the role of women in society after conflicts. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Desde 2001, los cineastas han reflejado en sus obras las consecuencias del terrorismo endógeno en las mujeres que, directa o indirectamente, han sido víctimas de la violencia política. En este artículo se analiza el tratamiento cinematográfico dado a estas víctimas en las películas de ficción producidas en cuatro países –Irlanda, Alemania, Italia y España– castigados con una mayor virulencia por la lucha armada una vez depuestas las armas. El objetivo de esta investigación es conocer las diferencias y similitudes de los estereotipos propuestos por el séptimo arte. Concretamente, aquellas mujeres que fueron silenciadas durante los años más duros de la lucha armada, ahora, serán definidas con unas características que sirven de modelo universal para comprender el papel de las mujeres en la sociedad después de los conflictos. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinematography |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Western Europe |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | victims |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | political violence and terrorism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | terrorism |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Araucaria | 50 | 2 | 2022-09-16 | p. 183-204 | 1575-6823 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revista-araucaria-2022-2-page-183?lang=es&redirect-ssocas=7080">https://shs.cairn.info/revista-araucaria-2022-2-page-183?lang=es&redirect-ssocas=7080</a> |
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