Anasheed del Estado Islámico versus canciones contra el terrorismo. Hacia la deslegitimación de la violencia desde la música (notice n° 912966)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02030cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125011732.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | González Piote, Laura |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Anasheed del Estado Islámico versus canciones contra el terrorismo. Hacia la deslegitimación de la violencia desde la música |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 56 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The object of study in this work is the response that some singers and music groups have given to the terrorism perpetrated by the self-proclaimed “Islamic State”, between 2015 and 2017, with special attention to some of their songs against terrorism. Likewise, it is analyzed whether the selected songs have a social function of delegitimizing this type of violence. To do this, first it is exposed what is the conception that this jihadist organization has about music: its anasheed and the attacks perpetrated against the music sector, especially the western one. Afterwards, the response of singers and music groups to these actions is analyzed. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | El objeto de estudio en este trabajo es la respuesta que algunos cantantes y grupos de música han dado al terrorismo perpetrado por el autodenominado “Estado Islámico”, con especial atención a determinadas canciones producidas entre 2015 y 2017. Asimismo, se analiza si las canciones seleccionadas tienen una función social de deslegitimación de este tipo de violencia. Para ello, primero se expone cuál es la concepción que la organización yihadista tiene sobre la música: sus anasheed y los atentados perpetrados contra el sector de la música, especialmente el occidental. Después, se analiza la respuesta de cantantes y grupos de música a dichos atentados. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anasheed |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Islamic State |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | terrorism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | jihadism |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Araucaria | 50 | 2 | 2022-09-16 | p. 357-380 | 1575-6823 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revista-araucaria-2022-2-page-357?lang=es&redirect-ssocas=7080">https://shs.cairn.info/revista-araucaria-2022-2-page-357?lang=es&redirect-ssocas=7080</a> |
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