Le poète et le musicien : convergences, assonances, dissonances ? (notice n° 972483)
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fixed length control field | 02065cam a2200289 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250125102301.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Bellanger, Emmanuel |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Le poète et le musicien : convergences, assonances, dissonances ? |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2024.<br/> |
500 ## - GENERAL NOTE | |
General note | 81 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Est-il si évident ou même pertinent de répandre de la musique sur un poème ? Cela ne va pas de soi, pour peu que l’on examine la question de près. En effet, comment nommer ce rapport entre musique et poésie ? Complémentarité, révélation, prolongement, commentaire ? Que devient le poème quand il est chanté, que devient la musique quand elle surgit de racines poétiques ? Où discerner la présence de l’un et de l’autre dans ce qui est devenu une création unique appelée mélodie ou Lied ? Autant de questions que quelques poètes et compositeurs nous aideront à examiner : Éluard, Poulenc, Messiaen, Jaccottet, Boulez… |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Is it such an obvious thing, or is it even appropriate, to impart music to a poem? This does not go without saying, provided one examines the question closely. Indeed, how should we name this relation between music and poetry? Complementarity, revelation, prolongation, commentary? What becomes of the poem when it is sung; what becomes of music when it springs up from poetic roots? Where can we discern the presence of poetry and music in what has become a unique creation called melody or Lied? These are so many questions that several poets and composers will help us examine: Éluard, Poulenc, Messiaen, Jaccottet, Boulez… |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | révélation |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | musique |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | autonomie |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | poème |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | création nouvelle |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | autonomy |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | revelation |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | music |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | poem |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | new creation |
786 0# - DATA SOURCE ENTRY | |
Note | Transversalités | 169 | 2 | 2024-04-08 | p. 163-169 | 1286-9449 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-transversalites-2024-2-page-163?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-transversalites-2024-2-page-163?lang=fr&redirect-ssocas=7080</a> |
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