Des cultures enregistrées aux cultures de l’enregistrement : l’ethnomusicologie à un tournant épistémologique ? (notice n° 976560)
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| fixed length control field | 02803cam a2200337 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125123450.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Olivier, Emmanuelle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Des cultures enregistrées aux cultures de l’enregistrement : l’ethnomusicologie à un tournant épistémologique ? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 21 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Ce texte questionne le statut et le rôle de l’enregistrement sonore dans l’histoire de l’ethnomusicologie, c’est-à-dire les rapports que les ethnomusicologues ont noué au fil du temps avec l’enregistrement, à la fois outil et objet, voire finalité parfois, de leur discipline. Cette réflexion critique conduira à formuler un certain nombre de propositions théoriques pour réaliser le passage d’une ethnomusicologie des cultures enregistrées à une ethnomusicologie des cultures de l’enregistrement, c’est-à-dire déplacer l’objet principal de la discipline vers les musiques enregistrées localement et leur écosystème. Au final, on verra les conséquences de ce déplacement dans la pratique, les outils et les enjeux de l’ethnomusicologie, mais aussi dans le positionnement, et plus encore l’autorité du chercheur vis-à-vis de son objet. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This text examines the status and role of sound recording within the history of ethnomusicology, i.e., the relationships that ethnomusicologists have established over time with recording, considered both as a tool and as an object, and sometimes even as a goal, of their discipline. This critical reflection will lead to a series of theoretical proposals in order to achieve the transition from an ethnomusicology of recorded cultures to an ethnomusicology of recording cultures, that is, to shift the main object of the discipline towards locally recorded music and its ecosystem. In the end, we will see the consequences of this shift in the practice, the tools and the stakes of ethnomusicology, but also in the positioning, and even more so the authority of the researcher towards their object. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | enregistrement / montage / production |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | numérique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authenticité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | industrie du disque / musicale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | réflexivité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | multi/interdisciplinarité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | studios / home studios |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | reflexivity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | recording / editing / production |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | authenticity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | multi/interdisciplinarity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | digitality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | studios / home studios |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | recording / music industry |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Volume ! | 19:2 | 2 | 2023-04-17 | p. 17-38 | 2117-4148 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-volume-2022-2-page-17?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-volume-2022-2-page-17?lang=fr&redirect-ssocas=7080</a> |
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