S’affranchir des plateformes de streaming pour redonner de la valeur à sa musique ? (notice n° 976900)
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| fixed length control field | 03529cam a2200457 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125123547.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Equoy Hutin, Séverine |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | S’affranchir des plateformes de streaming pour redonner de la valeur à sa musique ? |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 40 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Cette contribution mobilise à la fois l’analyse du discours et la sémiotique des écritures numériques. Elle prend pour objet l’application Obispo All Access et les discours d’escorte qui ont accompagné sa mise en ligne en janvier 2021 et l’examine sous l’angle des modes de valorisation de la musique. À l’heure où les modes de distribution et de consommation de la musique ont considérablement évolué et où des artistes dénoncent les faibles retombées économiques des plateformes ou vendent leur catalogue, l’auteur-compositeur-interprète français Pascal Obispo a retiré en janvier 2021 ses albums des plateformes de consommation musicale pour les rassembler dans un nouvel espace dédié. L’analyse sémiodiscursive montre que, si la musique reste ici un bien culturel marchand, celle-ci est surtout valorisée selon trois axes : d’une part, la prise de distance revendiquée avec les modèles de production de l’industrie musicale, d’autre part, la mise en œuvre d’un laboratoire dynamique d’expérimentation partagé et, enfin, le contrôle de la création et de la diffusion dans une auctorialité affichée à dimension patrimonialisante. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper uses both discourse analysis and the semiotics of digital writing to analyse the Obispo All Access application, the discourses that have accompanied its launch online, and how they value music. With the major recent evolutions in the distribution and the consumption of music, a number of artists have criticized the low economic retribution offered by platforms, French artist Pascal Obisco chose to withdraw his albums from major streaming platforms to make them available on a new dedicated app. Our semio-discursive analysis emphasizes how, although music remains a commercial and cultural product, its valorization follows three main pathways: the separation from the music industry’s production models, the implementation of a dynamic laboratory of shared experimentation, and a control on creation and distribution that assesses a form of auctoriality, with a patrimonial aim. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | discours |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | droits d’auteur / propriété intellectuelle / copyright |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | clips vidéo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | numérique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | médias |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | valeur / évaluation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | vidéoconcerts |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | fans / amateurs |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | patrimoine matériel / immatériel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | signes / symboles / signification |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | compositeur / composition / partition |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | composer / composing / score |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | video (music) / clips |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | analysis (musical) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | experience |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | video concerts |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | heritage (material / immaterial) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | media |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | copyright / author rights / intellectual property |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | value / evaluation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | signs / symbols / meaning |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | discourses |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | digitality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | fans / fandom |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Volume ! | 20:1 | 1 | 2023-11-14 | p. 49-61 | 2117-4148 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-volume-2023-1-page-49?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-volume-2023-1-page-49?lang=fr&redirect-ssocas=7080</a> |
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