Du murmure à l’invective : pratiques du graffiti subversif dans l’Italie des années 1970 (notice n° 983697)
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fixed length control field | 02373cam a2200289 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250125125323.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Le Quang, Grégoire |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Du murmure à l’invective : pratiques du graffiti subversif dans l’Italie des années 1970 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2023.<br/> |
500 ## - GENERAL NOTE | |
General note | 99 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | La fin des années 1960 marque une étape essentielle dans la généralisation de l’usage du graffiti contestataire. L’exemple italien montre la déclinaison d’une culture juvénile transnationale qui valorise le graffiti comme moyen d’expression et symbole d’insoumission, mais traduit aussi certaines spécificités. Graffitis et violence sont ainsi étroitement liés, tant l’écriture sur les murs représente à la fois un moyen de s’approprier un espace urbain, et d’intimider l’adversaire. In fine, le graffiti est plurivoque, allant de la provocation humoristique à l’apologie du terrorisme. Il se situe au croisement du geste militant, des enjeux spatiaux et symboliques, et du rapport entretenu à un espace public conçu comme un espace de confrontation. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The end of the 1960s embodied an essential transition towards the generalized use of contentious graffiti. Looking at Italy, we see the development of a transnational youth culture that values graffiti as a means of expression and as a symbol of insubordination. However, the Italian example also reflects certain specific features: graffiti and violence were closely linked, as writing on walls represented both a means of appropriating urban space and of intimidating the opponent. Ultimately, this graffiti appears multifaceted, ranging from humorous provocation to the glorification of terrorism. It is situated at the intersection between militant act, spatial and symbolic concerns, and a relationship to public space seen as a space of confrontation. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | violence |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Italie |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | graffitis |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | 1968 |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | espace public |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | graffiti |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | violence |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | public space |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | 1968 |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Italy |
786 0# - DATA SOURCE ENTRY | |
Note | 20 & 21. Revue d'histoire | 156 | 4 | 2023-09-15 | p. 145-167 | 2649-664X |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-vingt-et-vingt-et-un-revue-d-histoire-2022-4-page-145?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-vingt-et-vingt-et-un-revue-d-histoire-2022-4-page-145?lang=fr&redirect-ssocas=7080</a> |
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