Freud, l'art moderne et les « misérables cannibales nus »: une perspective décalée sur le destin des pulsions (notice n° 990049)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131002.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Diamantis, Thémélis |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Freud, l'art moderne et les « misérables cannibales nus »: une perspective décalée sur le destin des pulsions |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2008.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 7 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La «modernité» de la psychanalyse, comme entreprise à la fois thérapeutique et de savoir, dépend-elle, pour tout ou partie, du fond animique prétendument archaïque ou primitif défini par cette discipline comme son principal objet d’étude? Rapportée à l’horizon épistémique de la psychanalyse, cette articulation entre archaïsme et modernité aurait-elle seulement été du goût de Freud? En interrogeant de manière critique les rapports de Freud à l’art «moderne», à l’art «classique» et aux arts «primitifs», ce texte entend simultanément mettre en évidence l’importance du paradigme des arts dans la constitution de l’identité épistémique de la psychanalyse et proposer une possible relecture des relations entre nature et culture ou du phénomène de sublimation, tels que définis par le fondateur de la psychanalyse. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Freud, Modern Art and the ‘Wretched Naked Cannibals’- an Innovative Perspective on the Destiny of Drives. Does the ‘Modernism’ of psychoanalysis, in that it involves both therapeutic and epistemic aspects, depend, in part or in whole, on the supposedly archaic or primitive animic basis defined by the discipline as being its own principal subject of study? In the light of psychoanalysis’ epistemic horizons, was the articulation between archaic and modern simply geared to Freud’s liking? A critical exploration of Freud’s attitudes to ‘Modern’art, ‘Classical’art and ‘Primitive’arts sheds light both on the importance of the paradigm of the arts in the constitution of the epistemic identity of psychoanalysis. It allows us to read afresh the interaction between nature and culture, or the phenomenon of sublimation as defined by the father of psychoanalysis himself. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Art «moderne» |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Arts «primitifs» |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Clinique et épistémologie freudiennes |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Art «classique» |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Primitive Arts |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ‘Modern' Art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ‘Classical' Art |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Freudian Clinical Practice and Epistemology |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 104 | 3 | 2008-10-30 | p. 127-147 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2008-3-page-127?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2008-3-page-127?lang=fr&redirect-ssocas=7080</a> |
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