De l'ek-stase à l'extase (notice n° 990140)
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| fixed length control field | 03700cam a2200313 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131014.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Fessaguet, Dominique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De l'ek-stase à l'extase |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 98 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Parce qu’il lui fallait sortir de soi, échapper à la douleur, s’extraire de son corps menacé de toutes parts par les impacts du monde, G. Gould cultivait la « fugue » et le paradoxe : comment toucher à cette ek-stase, sinon en se repliant au creux de soi, dans l’univers clos de sa pensée par un jeu d’enveloppements semblables aux couches interminables et protectrices de ses vêtements ? Lorsque, plus tard, abandonnant les concerts et le monde, il s’enferma dans la solitude, retiré en lui-même, inlassablement, il s’abîmait en pensée dans le jeu du clavier et la musique. Il la désarticulait, la décomposait, la transformait, la re-créait enfin. Un piano dans la tête, il travaillait jusqu’à l’indicible de l’extase. Il existe chez G. Gould des mécanismes psychiques originaux qu’il applique à la musique : tout d’abord, travail de destruction des liens, isolation, qui ne sont pas sans évoquer des mécanismes schizophréniques sur la pensée, puis une transformation, sorte de ré-élaboration qui le sort de la destructivité, pour l’amener vers une créativité retrouvée, cette appropriation d’un langage musical détruit/créé l’amenant aussi à une ré-appropriation de soi. On pourrait parler d’un travail de la pensée qui recréerait la voix de la musique jusqu’à l’extase d’un auto- engendrement. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | From Ek-stase to Ecstasy In his constant attempt to free himself from self, to escape pain and break out from a body threatened on all sides by the world about it, Glenn Gould cultivated escape in the art of fugue and paradox. How could such a state of ek-stase be achieved if only by withdrawing into his innermost being, into the confidential universe of inner thought and by creating a series of envelopes around himself like layer upon layer of protective clothing. When later in life Gould refused to perform in public and withdrew from the world into solitude, a state of total retreat into self, he would endlessly abandon himself to a world of thought where only his keyboard and music existed. Music he would disarticulate, decompose, transform and re-create time and again. He would tirelessly play the piano which inhabited his mind until an inexpressible point of ecstasy was reached. Glenn Gould exhibits a number of original psychic mechanisms which he applies to music. Firstly, his destruction of bonds and his isolation, so reminiscent here of schizophrenic thought mechanisms, but also the transformations, the re-elaborations which enable him to escape the grip of destructiveness and lead him down the path towards recovered creativity and the appropriation of a musical language at once both destroyed and re-created, towards a re-appropriation of self. One might speak here in terms of thought processes capable of re-creating musical voices in turn leading to the ecstasy of self-engenderment. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Auto-engendrement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Extase |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ek-stase |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Gould |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Pensée schizophrénique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Self-Engenderment |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ecstasy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Schizophrenic Thought Processes |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Ek-stase |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Gould |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 109 | 4 | 2010-06-29 | p. 189-199 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2009-4-page-189?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2009-4-page-189?lang=fr&redirect-ssocas=7080</a> |
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