Les couleurs chez Flaubert : entre mort et création (notice n° 990807)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01623cam a2200241 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131208.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Fessaguet, Dominique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Les couleurs chez Flaubert : entre mort et création |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 65 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’extase et la mort traversent les couleurs chez Gustave Flaubert. Rouge, noir, blanc et or. Celui-ci emploie ces couleurs à profusion dans La Tentation de saint Antoine, saint Julien l’Hospitalier, Madame Bovary et Salammbô mais aussi dans ses Correspondances. Ce sont les couleurs d’une extase qui se révèleront là, dans la guerre, la destruction, la nuit du péché, la mort, mais aussi, au sein même de la création et des processus d’écriture de G. Flaubert. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Colours in Flaubert : between Death and CreativityEcstasy and death find their full expression in Gustave Flaubert’s use of colour and his predilection for red, black, white and gold. Examples of this abound not only in The Temptation of Saint Anthony, Saint Julian, Madame Bovary and Salammbô but also in the Letters. The colours of ecstasy become intimately associated not only with war, destruction, sin, night and death but also with creativity and the processes at work in Flaubert’s writing itself. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Mort |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Création |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Couleurs |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Death |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Colours |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Creativity |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 120 | 3 | 2012-10-01 | p. 39-50 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2012-3-page-39?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2012-3-page-39?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux