Beckett. Au creux des mots (notice n° 990811)
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| fixed length control field | 02126cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131209.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Roth, Berta |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Beckett. Au creux des mots |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2012.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 69 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’œuvre de Samuel Beckett se dessine dans ses pièces de théâtre comme une ligne inéluctable qui lie la naissance et la mort. Comme il le dit lui-même, « celle de la mise en route et celui de la mise en corbeille ». Dès le début, les personnages de Beckett commencent par se taire, jusqu’à ce qu’à la fin, l’acte scénique devienne des balbutiements. Les silences, le rythme, les différentes sonorités, la musicalité, étaient pour Beckett, dans ses mises en scène, plus importants que la symbolique des mots. Son effort, en ce qui concerne son écriture était, précisément, de traiter les mots comme des choses qui se donnent à voir. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Beckett. The Reverse Side of WordsThe path followed by Samuel Beckett in his work may be traced through his plays as leading from birth to death. As he put it himself, ‘from the start to the waste-paper basket.’ From the very beginning, Beckett’s characters start by saying nothing, and his plays end with stagings of their stammerings and stutterings. Silences, rhythm, varying sonorities and musicality were all essential to Beckett’s theatricality, far more important than the meaning of words per se. His art aimed at finding ways through writing of treating words as things which may be seen. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Écriture |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Dessin |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Effacement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Traces |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Rythme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Espace troué |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Innommable |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Forme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Rhythm |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Writing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Tracing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Effacement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Traces |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Form |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Pierced<br/>Space |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Unspeakable |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 120 | 3 | 2012-10-01 | p. 101-111 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2012-3-page-101?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2012-3-page-101?lang=fr&redirect-ssocas=7080</a> |
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