« Le sublime wagnérien » (notice n° 991258)
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fixed length control field | 02302cam a2200313 4500500 |
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control field | 20250125131317.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | de Mijolla-Mellor, Sophie |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | « Le sublime wagnérien » |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2014.<br/> |
500 ## - GENERAL NOTE | |
General note | 74 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | L’impossibilité du héros wagnérien à rejoindre l’objet de son désir n’est pas seulement un choix contre l’accomplissement amoureux au bénéfice du devoir d’obéissance à la Loi. Pour cet « homme pur et insensé que la pitié instruit » il est en permanence question de la damnation parce que le désir et le plaisir des sens sont si violents qu’ils rendent fous. Est-ce que la beauté de la musique de Wagner nous fait avancer dans la définition du sublime et éventuellement son lien avec la sublimation ? Le sublime wagnérien, bien loin de ses considérations au sujet de la rédemption du pécheur tient dans cette capacité de porter la certitude sensible de la jouissance au niveau d’un vécu métaphysique, excitation artistique qui confine au mystique malheureusement récupéré dans le religieux, comme le déplorera Nietzsche, au lieu de demeurer dans le trouble de la tension musicale. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Wagnerian Sublimity. The sublime in Wagner’s work is intimately linked with the music’s ability to take the tangible certainty of jouissance and turn it into a metaphysical experience. This state of aesthetic euphoria is almost a mystical experience and in some works pours over into the religious, much to Nietzsche’s distaste, rather than maintaining the sense of turmoil resulting from musical tension. This interpretation of Wagner’s works is rooted in his autobiography and opens up new perspectives on the differentiation between the sublime in aesthetics and sublimation in psychoanalysis. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Rébellion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Sublimation |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Opéra |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Rédemption |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Musique |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Passion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Music |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Redemption |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Opera |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Sublimation |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Passion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Rebellion |
786 0# - DATA SOURCE ENTRY | |
Note | Topique | 128 | 3 | 2014-09-09 | p. 35-46 | 0040-9375 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2014-3-page-35?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2014-3-page-35?lang=fr&redirect-ssocas=7080</a> |
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