La musique des mots à l’épreuve de l’écoute en psychanalyse (notice n° 991472)
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| fixed length control field | 02485cam a2200265 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131353.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Estellon, Vincent |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La musique des mots à l’épreuve de l’écoute en psychanalyse |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2015.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 83 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La tonalité de la parole est essentielle pour attester d’effets de présence en deça de ce qui est signifié. Certains « tout va bien » accompagnés d’un sourire surfait se défont dès qu’ils sont confrontés au miroir de l’écoute analytique. Ces restes, murmures, bruits, râles qui débordent et enveloppent la parole communicante constituent un entour qui donne le ton. L’action de l’écoute analytique au sens où elle invite à l’art de l’intervalle, tient à un art du rythme reposant sur l’articulation des temps au silence. Jouant entre absence et présence, rêve et réalité, parole énoncée et parole entendue, contenu manifeste et contenu latent, représentation de choses et représentation de mots, l’action de l’écoute analytique favorise l’ouverture de la parole à sa musique et à son propre style. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Tone of voice is essential in bearing witness to the effects of presence beneath what is meant. Sometimes, when someone says ‘Everything is fine’, with a forced smile, the mirror of the analyst’s listening ear completely belies their words. The remnants, murmuring noises or groans overflowing from and enveloping the communicating word creates a ring which sets the tone. The action of psychoanalytic listening, in that it invites one to explore the art of the interval, is intimately linked with that of rhythm, based on the articulation of time in silence. Playing on such notions as absence and presence, dream and reality, spoken word and speech heard, manifest and latent content and the representation of things and words, the action of analytic listening encourages speech to embrace its own particular music and individual style. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Contretransfert musical |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Enveloppe sonore |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musique des mots |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Action de l’écoute |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Sonorous Envelope |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Music of Words |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Musical Countertransference |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Listening as an Action |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 129 | 4 | 2015-03-13 | p. 7-18 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2014-4-page-7?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2014-4-page-7?lang=fr&redirect-ssocas=7080</a> |
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