De la barbarie, de l’impuissant pouvoir de l’art, de la performativité quand même (notice n° 992727)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02559cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131707.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ardeven, François |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De la barbarie, de l’impuissant pouvoir de l’art, de la performativité quand même |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2019.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 7 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’art et le pouvoir ont tous les deux à voir avec la représentation. Le pouvoir s’est imposé assez vite à homo sapiens comme une technique par laquelle un grand nombre est représenté par un petit nombre — et parfois un seul. L’art a affaire autrement avec la représentation. Son enjeu semble souvent de représenter l’irreprésentable — le coït ou la mort — , et s’il y un pouvoir de l’art, il tient aussi paradoxalement dans son impuissance On prendra d’abord comme exemple l’avant-garde russe où pouvoir et art semblent danser ensemble et ensuite le fameux « verdict », comme dit Youssef Ishaghpour, de Theodor Adorno : « Ecrire un poème après Auschwitz est barbare ». Adorno semble retirer à l’art son pouvoir civilisateur. Le poète Paul Celan, dans un entretien intellectuel continu avec Adorno qu’il admirait aussi, ne l’entendait pas ainsi. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Both art and power have to do with representation. It became evident fairly quickly to homo sapiens that power is a technique where a great number are represented by a few — and sometimes just one. Art deals differently with representation. What often seems at stake is the representation of what cannot be represented – coitus or death – and if art does have power, it is paradoxically also due to its powerlessness. We will first consider the Russian avant-garde, a movement in which art appears to dance together with power and then we will examine Theodor Adorno’s famous « verdict » (as Youssef Ishaghpour puts it): « To write a poem after Auschwitz is barbaric ». Adorno appears to divest art of its civilizing power. The poet Paul Celan, who maintained a constant intellectual dialogue with Adorno whom he also admired, disagreed with him. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Performativité |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Barbare |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Révolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Adorno |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Impuissance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Powerlessness |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | barbaric |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Revolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performative |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Adorno |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 146 | 2 | 2019-09-11 | p. 69-79 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2019-2-page-69?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2019-2-page-69?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux