Jeanne d’Arc, une autocréation hallucinatoire de soi (notice n° 992782)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02913cam a2200289 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250125131722.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hedjem, Louisa |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Jeanne d’Arc, une autocréation hallucinatoire de soi |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 52 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | L’exceptionnelle trajectoire de vie de Jeanne d’Arc est totalement dictée par ses voix hallucinées. Les voix tiennent également une responsabilité conséquente dans sa mort sur le bûcher. Derrière les voix saintes, déclinaisons multiples d’une voix encadrante positive et totipotente, jaillissent des fonctions intermédiaires médiatrices qui permettent lors du passage adolescent johannique une autocréation identitaire inédite de Jeanne la Pucelle en Jeanne d’Arc. Halluciner les voix c’est figurer un impensé intolérable et extérioriser un contenant qui offre l’opportunité de s’autocréer. Les voix hallucinées servent la fabrique d’une autoreprésentation originale et partageable cumulant toutes les qualités de l’objet saintes investi narcissiquement. Cette fabrique est rendue possible par la relation d’objet suffisamment bonne qu’offre la voix. La voix contenant et contenu est une projection, une figuration externalisée du fantasme du chevalier idéal prêt à s’autosacrifier pour sa cause juste. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The exceptional story of Joan of Arc seems to have been entirely dictated by the hallucinatory voices she heard. These voices also played a key part in leading her to her death at the stake. These saintly voices were in fact multiple variations on a positive, all powerful voice with an intermediary, arbitrary function, enabling Joan in her adolescence to go from Joan the Maid to Joan of Arc in a highly singular auto-creation of identity. Hallucinating voices was a way for her to represent the unbearable and unthinkable and of exteriorising a containing shell providing the means of auto-creation. The hallucinated voices served to create a singular form of self-representation which could be shared and which embodied the qualities of the saintly object narcissistically invested. This was made possible by the sufficiently adequate object relationship offered by the voices. The voice as a containing shell and its content is a projection, an externalised representation of the-fantasy of the ideal knight ready to accept self-sacrifice for a just cause. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Travail hallucinatoire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Fonction intermédiaire |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Figuration |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Objet double |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Voix |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Hallucinatory<br/>Process |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Voices |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Double Object |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Intermediary Function |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Representation |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Topique | 149 | 2 | 2020-10-02 | p. 69-79 | 0040-9375 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-topique-2020-2-page-69?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-topique-2020-2-page-69?lang=fr&redirect-ssocas=7080</a> |
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