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Dyschronia in Unstable Children: Hypothesis of a Difficulty of Establishing a Transitional Time

Par : Type de matériel : TexteTexteLangue : français Détails de publication : 2006. Sujet(s) : Ressources en ligne : Abrégé : From Wallon’s motor and mental asynergic syndrome (1925) to Barkley's behavior inhibition deficit (1997), agitation (nervousness) in children has often been related to a difficulty in thinking, organizing and sharing the representations stemming from temporality. The heuristic quality of the theory of dyschronia, as introduced by Gibello (1976), makes it well-suited for thinking about this deficiency in the symbolization of time. Several projective tests (Rorschach, TAT, drawings) were submitted to an unstable, dyschronic young boy. Analysis shows a discontinuity in the boy's capacity for representation. Indeed, if the most obvious evidence resides in the contrast between a minimally expressive Rorschach and a profuse TAT, other more specific signs also reveal his trouble in setting up a stable, imaginary playground, or, more precisely, his lack of continuity regarding transitional phenomena (Winnicott, 1951). Should we therefore imagine a connection between the difficulty to represent transformations (Gibello, 2004) and this deficit in the installation not only of a space but also of a time in which transitions can be represented ?
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From Wallon’s motor and mental asynergic syndrome (1925) to Barkley's behavior inhibition deficit (1997), agitation (nervousness) in children has often been related to a difficulty in thinking, organizing and sharing the representations stemming from temporality. The heuristic quality of the theory of dyschronia, as introduced by Gibello (1976), makes it well-suited for thinking about this deficiency in the symbolization of time. Several projective tests (Rorschach, TAT, drawings) were submitted to an unstable, dyschronic young boy. Analysis shows a discontinuity in the boy's capacity for representation. Indeed, if the most obvious evidence resides in the contrast between a minimally expressive Rorschach and a profuse TAT, other more specific signs also reveal his trouble in setting up a stable, imaginary playground, or, more precisely, his lack of continuity regarding transitional phenomena (Winnicott, 1951). Should we therefore imagine a connection between the difficulty to represent transformations (Gibello, 2004) and this deficit in the installation not only of a space but also of a time in which transitions can be represented ?

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