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Marco Bellochio, à travers un texte et une interview donnée à Mario Serenellini, réfléchit à la relation entre inconscient et langage cinématographique à propos de son dernier film : Le rêve du papillon, qui met en scène un jeune homme ayant décidé, à l’âge de quatorze ans, de renoncer au langage verbal. Il évoque la relation entre son travail de créateur et son évolution personnelle, trente ans après son premier film, Les poings dans les poches.

Filmmaker Marco Bellochio, in an article as well as an interview given to Mario Serenellini, reflects upon the relationship between the unconscious and cinematographic language as applied to his latest film, The butterfly’s dream (translation of french title as the film has not been released in the US), which features a young man who, at the age of fourteen, decides to give up verbal language. Bellochio describes the relationship between his work as an artist and his personal development, thirty years after his first film, Fists in his pockets.