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M. Antonioni, who was inspired by Italian neo-realism in the beginning of his career, became famous for his movies about feelings, neurosis, and communications difficulties between human beings, especially men and women as couples. Yet, far from being based on a talkative psychological approach, or on an abstract symbolic one, his movies are characterized by the effacement of dialogues, speech, and music, replaced by a broad use of spaces : geographical spaces (especially urban ones), organized systems of objects, effects of distance and nearness, of perspective, etc. Antonioni blends landscapes, objects, and characters (especially through their bodies’ spatialities) in the same spatial substance, giving each of them the same tangible value of signs. He also uses long sequence shots during which characters give way to a spatial context concentrating all the tension of unfinished epilogues. Overall, Antonioni managed to express the unspeakable dimension of human relationships through the use of space and spatialities, thus creating an original film language.