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One of the most important anthropological results of Diderot’s materialism and his critique of finalism is the description of the self as multiple. This paper attempts to understand the causes and consequences of one of the author’s expressions of this idea of a multiple self : « It is the unvarying constant relation of all impressions to this common origin which constitutes the animal’s unity [...]. The memory of all these successive impressions is for every animal the story of his life and his self. »