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The global turn is central to the study of Europe’s many migration histories—outwards, inwards, and internal—and encompasses transatlantic, imperial and post-imperial, and other global arenas. Benefitting from a wealth of pathbreaking scholarship that often focuses on macro-level histories, this article advocates zooming in on individual interpretations and experiences. By doing so, it argues, historians can open up nuanced perspectives that risk becoming submerged in studies where, rather paradoxically, actual migrants are displaced by an emphasis on overarching migration phenomena. Taking the late-modern era as its focus, it traces the global dimensions of two lives spanning almost two centuries to open out broader questions, not least about race and ethnicity. Jacob Riis (1849-1914) and Gérald Bloncourt (1926-2018) were both leading documentary photographers who shared a deep commitment to social reform and the amelioration of working-class conditions. Each recorded migration histories on camera and in writing, thereby enabling an analysis of multi-media representations emanating from the same source. That both were of migration backgrounds themselves—Riis having moved from Denmark to the United States and Bloncourt from Haiti to France—renders the images and texts they created particularly resonant. Their own origins and mobile lives proved crucial to their interpretations of the wider flows of people that have connected Europe with different global settings—and continue to do so today.