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Conversation with Nora Philippe about the Documentary Film Restitution? Africa’s Fight for Its Art

Par : Contributeur(s) : Type de matériel : TexteTexteLangue : français Détails de publication : 2023. Sujet(s) : Ressources en ligne : Abrégé : ‪Film director and exhibition curator Nora Philippe is also a lecturer at Sciences Po Lille on restitutions and the decolonization of museums. Director of five films for television and cinema, and author of three books in the social sciences and humanities, she has devoted herself in recent years to African-American and Afrofeminist history. In this interview with Saskia Cousin and Anne Doquet carried out on February 5, 2023, she looks back on the conception and shooting of the large-format documentary film Restitution? Africa’s Fight for its Art, co-produced and broadcast on ARTE in 2021-2022, distributed in some twenty countries and languages and now a reference on the subject. Based on extensive archival work, the film reconstructs the history of colonial looting, the genealogy of Western museums and the African voices reclaiming looted goods, and deconstructs the paradigms and mystifications that discredit restitutions. Traversed by questions of positionality, the film makes room for the situated words of people who live and work on the issue of restitution.‪
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‪Film director and exhibition curator Nora Philippe is also a lecturer at Sciences Po Lille on restitutions and the decolonization of museums. Director of five films for television and cinema, and author of three books in the social sciences and humanities, she has devoted herself in recent years to African-American and Afrofeminist history. In this interview with Saskia Cousin and Anne Doquet carried out on February 5, 2023, she looks back on the conception and shooting of the large-format documentary film Restitution? Africa’s Fight for its Art, co-produced and broadcast on ARTE in 2021-2022, distributed in some twenty countries and languages and now a reference on the subject. Based on extensive archival work, the film reconstructs the history of colonial looting, the genealogy of Western museums and the African voices reclaiming looted goods, and deconstructs the paradigms and mystifications that discredit restitutions. Traversed by questions of positionality, the film makes room for the situated words of people who live and work on the issue of restitution.‪

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