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The language of poetry calls for special attention, since its strangeness itself verifies a very different way to relate to real for the practices of language – in everyday life or in the scientific work. With the help of reference to Emptiness and to perspectives from Chinese tradition, Maldiney develops that philosophy peculiar to poetry from the works of André du Bouchet and Francis Ponge. Thus, his analysis gives a rarely highlighted responsibility to poetic art regarding the real : both an intimate and a close relationship.