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The comprehension of the tragic in Hegel and Lacan states Antigone’s unconditional desire as heroic. Against this tendency, another hypothesis is explored: The heroic, be it ironic or a sublime brilliance of the sublime, bars the access to the unconditional by attaching it to a transcendence, rather than inquiring into its address. To play down heroism means to reinterpret the capacity of solitude which characterizes heroic courage. What courage then reveals is an ignorance regarding the law of totality, regarding the world that is to be lived in, through a risk taken by a single one. The direct reference to a “conflict of worlds” throws new light on the approaches of Hegel and Lacan. (Author’s own translation)