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Up to 2007 in France, at least three comic strip albums had been published to give voice to the personal accounts of survivors of the Holocaust. These were the “Maus” and “Au nom de tous les miens” diptychs by Art Spiegelman and the Philippe Cothias / Paul Gillon duo, and “Seules contre tous” by Miriam Katin. While the enunciative mechanics of “Maus” have been highlighted more than once by the social sciences, this does not seem to be the case for the other two works. Consequently, this contribution describes the enunciative characteristics of the testimonial narratives that compose them. Given that the survivors of the Holocaust will inevitably disappear, we then move on to other albums to seek insights into the future of personal accounts of the Holocaust in and through the comic strip medium.