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Following the analysis of the problem of the body in the early writings of Levinas that we provided in a previous issue of this journal, in this article we focus on the middle period of Levinas’s production, particularly on Totality and Infinity. Corporeality is always characterized here by a kind of ambivalence, the embodied dimension of the subject often being placed within a certain ambiguity. We will try to show how corporeality, always equivocal, becomes an intimate part of the original relationship of the subject with the world, with the self, and with the other. To do this, we will investigate several essential relations in which the problem of body arises: between the body and the consciousness, the body and the elements, the body and the home, the body and labor, and, finally, between the body and the other.